Conservation: Gilded Objects (and Frames)

Matthew Hanlon Restorations, Inc.

Kerry Hanlon
24 West 30th Street,
8th Floor
New York, NY 10001

F. C. Vogt Company, Inc.

Fredrick C. Vogt
1831 West Broad Street
Richmond, VA 23220

Harvard Art, LLC - Gilding Conservation & Restoration

Susan B. Jackson
49 Littleton County Road
Harvard, MA 01451

Art Restorations, Inc.

Cher Goodson
7803 Inwood Road
Dallas, TX 75209

Intermuseum Conservation Association

Albert Albano
2915 Detroit Ave
Cleveland, OH 44113

Sculpture Conservation Studio

Andrea Morse
3300 Motor Avenue
Los Angeles, CA 90034

West Lake Conservators, Ltd.

Susan Blakney
Box 45
4207 Railroad Street
Skaneateles, NY 13152

Cultural Preservation & Restoration

Gary McGowan
3 Foot Bridge Lane
P.O. Box 617
Blairstown, NJ 07825

Steven Tatti

Steven Tatti
117 East 39th St
New York, NY 10016

Mckay Lodge Conservation Lab., Inc.

Robert Lodge
10915 Pyle Rd.
Oberlin, OH 44074

Cindy Gorman

Cindy Gorman
West Dean College
West Sussex, UK PO18 0QZ

Fairmont Studio

Elaine Miller
9 Fairmont Avenue
Cambridge, MA 02139

The Fine Arts Conservancy

Jero Perez
5840 Corporate Way #110
West Palm Beach, FL 33407

ConservArt

George Schwartz
8177 Glades Rd STE 16
Boca Raton, FL 33434

Griswold Conservation Associates, LLC

John Griswold
8573 Higuera Street
Culver City, CA 90232

AIC

Joseph Hammer
11725 Goldring Rd.
Arcadia, CA 91006

Period Furniture Conservation, LLC

Yuri Yanchyshyn
54 West 21st Street Suite 609
New York, NY 10010

GMAB Conservation Services, Inc.

Linda Nieuwenhuizen
48-20 Vernon Boulevard
Long Island City, NY 11101

Kreilick Conservation, LLC

T. Scott Kreilick
519 Toll Road
Oreland, PA 19075

SBE Conservation LLC

Sarah Barack
484 2nd Street Apt 2
Brooklyn, NY 11215

The Gilders' Studio

Michael Kramer
PO Box 631
Olney, MD 20832

A.M. Art Conservation, LLC

Rachael Arenstein
1 Rectory Lane
Scarsdale, NY 10583

Jeffrey Rouse

Jeffrey Rouse
P.O. Box 622
2131 Route 981
New Alexandria, PA 15670

John Scott Conservator of Art and Architecture

John Scott, MA, MA-CAS, FRMS, FNYMS, PA-AIC, IIC, ICOMCC
POB 20098LT, NYC, NY 10011-0008
Forgedale Rd, POB 206, Fleetwood, PA, 19522
Forgedale Rd, POB 206, Fleetwood, PA, 19522,

Williamstown Art Conservation Center

Helene Gillette-Woodard
227 South Street
Williamstown, MA 01267

Amandalynn paint and conservation

Amanda Lynn
132 Clinton Park #6
San Francisco, CA 94103

Bynon Art Services, LLC

Jane and Mark Bynon
P.O. Box 934
Taylorsville, NC 28681

Williamsburg Art Conservation Inc.

Thomas Snyder
4737 Williamsburg Glade
Williamsburg, Virginia 23185

easter conservation services

jean easter
5208 North College Avenue
Indianapolis, indiana 46220

Maria Valentina Sheets Conservation, Inc.

Maria Sheets
4204 Harvest Hill Court
Carrollton, TX 75010

Whitten & Proctor Fine Art Conservation

Jill Whitten

Schuettinger Conservation Services, Inc.

Bruce Schuettinger
17 North Alley
PO Box 244
New Market, MD 21774

American Conservation Consortium, Ltd.

Marc A Williams
4 Rockville Rd
Broad Brook, CT 06016

Nina A Roth-Wells LLC

Nina Roth-Wells

Georgetown, ME 04548

The Conservation Center - Conserving Art Coast to Coast

Heather Becker
730 North Franklin
Suite 701
Chicago, IL 60654

Rhonda Feinman Custom Frames, Inc.

Rhonda Feinman
10-40 45th Avenue
Long Island City, NY 11101

Master Gilders Studio

Laurence Filet
13641 Moonshine road
Camptonville, Ca 95922

Gratz Gallery & Conservation Studio

Paul Gratz
68 S. Main Street
Doylestown, PA 18901

Studio Six Art Conservation

Brad Ford Smith
8431 Creekwood dr
Dallas, TX 75228

John Canning Studios

David Riccio, AIC PA
150 Commerce Court
Cheshire, Ct 06410

Fine Arts Conservation LLC

Irena Calinescu
4949 Hollywood Blvd
Suite 210
Los Angeles, California 90027

Robert Mussey Associates, Inc.

Christopher Shelton
1476 River Street
Boston, MA 02136

Like a butterfly wing, a gilded object has an indescribable and delicate beauty.

BACKGROUND KNOWLEDGE:
There are many uses of gilding but perhaps the best known is that on frames. Whether intended or not, gilded frames enhance the amount of light given off by candles. And so, gilding was established as a way of profoundly affecting the atmosphere of a room. Gilding can be found on wood, ceramics, glass and silver. Each material requires a different conservation process that should be thoroughly discussed with an expert.

The process of adhering gilt is by blending gold leaf, or gold paint or gold powder with a fixative and securing it to the object. Because of the possible materials used to attach gilt, it is always best to identify the main material and then create the conservation plan.

Gilt may also be placed on through a water-based process or an oil-based process. It is difficult to tell the difference simply by your eye, but if it is water based, it will come off with water. Because of this it is essential to never wipe any gilt with water until its process has be identified.

CARE, HANDLING and STORAGE:
Gilding is extremely fragile. Temperature and humidity can play a part in its destruction, as can simple damage due to poor handling.

  • Cracking is a clear sign of damage and in this case should only be lightly dusted with a soft-bristled dusting brush.
  • When cleaning gilt glass use a chamois leather cloth
  • Moisten it with denatured alcohol
  • Carefully and gently wipe clean
  • Use a clean and dry chamois cloth to buff
  • Gilding on silver should rarely be polished
  • Speak with an expert before taking any action

Always discuss with a conservator and establish a strategy for the best way to care for your gilded objects.