Conservation: Photographs
Etherington Conservation Services
Michael Lee6204 Corporate Park Drive
Browns Summit, NC 27214
The Better Image NJ Studio
Peter MustardoP. O. Box 48
37 Carpenter Street
Milford, NJ 08848
Intermuseum Conservation Association
Albert Albano2915 Detroit Ave
Cleveland, OH 44113
West Lake Conservators, Ltd.
Susan BlakneyBox 45
4207 Railroad Street
Skaneateles, NY 13152
Paul Messier LLC
Paul Messier103 Brooks Street
Boston, MA 02135
Mckay Lodge Conservation Lab., Inc.
Robert Lodge10915 Pyle Rd.
Oberlin, OH 44074
ConservArt
George Schwartz8177 Glades Rd STE 16
Boca Raton, FL 33434
Gawain Weaver
Gawain WeaverPO Box 150662
San Rafael, CA 94915-0662
Orlandini Art Conservation
Valeria Orlandini4515 Willard Avenue
Chevy Chase, MD 20815
Williamstown Art Conservation Center
Leslie Paisley31 Thomas Street
Williamstown, MA 01267
The Conservation Center - Conserving Art Coast to Coast
Heather Becker730 North Franklin
Suite 701
Chicago, IL 60654
The Better Image NYC Studio
Peter Mustardo511 West 25th
Suite 609
New York, NY 10001
Conservation Center for Art & Historic Artifacts
Ingrid Bogel264 South 23rd Street
Philadelphia, PA 19103
Koehnline Conservation Studio
Lyn Koehnline620 Southwest 21st Street
Richmond, IN 47374
The
evocative nature of photography is its ability to capture a
figure, a
moment, an emotion, and then to allow us to linger upon it.
BACKGROUND KNOWLEDGE
There are many different processes that have been used
throughout the
history of photography. Three of the earliest, but not the only,
are the
daguerreotype, the tintype, and the ambrotype. To maintain their
quality,
each method requires a unique conservation technique. Even
maintaining
a collection of modern, color photographs takes care and
attention. The
one universal, though, is the perfect conditions for storage:
dark, cool
and dry.
CARE, CLEANING, HANDLING and STORAGE
- Do not touch photographs with bare hands
- Consult a conservator for appropriate light, temperature and humidity settings
- Store photographs in safe individual compartments, like archival boxes, plastic sleeves, or acid-free paper
- Due to the differences within the photographic process, contact a conservator to discuss the appropriate care for your collection
- If
framing
photographs, use a glass that filters ultraviolet light, like
UF-3 Plexiglas
- If
mounting,
only use material that has passed PAT (Photographic Activity
Test)
- If
photograph
is damaged, always refer to a conservator. Never attempt to
mend it
- Keep documentation of all photographs. Only write on the back of photographs in #2 pencil



