Conservation: Photographs

Etherington Conservation Services

Michael Lee
6204 Corporate Park Drive
Browns Summit, NC 27214

The Better Image NJ Studio

Peter Mustardo
P. O. Box 48
37 Carpenter Street
Milford, NJ 08848

Intermuseum Conservation Association

Albert Albano
2915 Detroit Ave
Cleveland, OH 44113

West Lake Conservators, Ltd.

Susan Blakney
Box 45
4207 Railroad Street
Skaneateles, NY 13152

Paul Messier LLC

Paul Messier
103 Brooks Street
Boston, MA 02135

Mckay Lodge Conservation Lab., Inc.

Robert Lodge
10915 Pyle Rd.
Oberlin, OH 44074

ConservArt

George Schwartz
8177 Glades Rd STE 16
Boca Raton, FL 33434

Gawain Weaver

Gawain Weaver
PO Box 150662
San Rafael, CA 94915-0662

Orlandini Art Conservation

Valeria Orlandini
4515 Willard Avenue
Chevy Chase, MD 20815

Williamstown Art Conservation Center

Leslie Paisley
31 Thomas Street
Williamstown, MA 01267

The Conservation Center - Conserving Art Coast to Coast

Heather Becker
730 North Franklin
Suite 701
Chicago, IL 60654

The Better Image NYC Studio

Peter Mustardo
511 West 25th
Suite 609
New York, NY 10001

Conservation Center for Art & Historic Artifacts

Ingrid Bogel
264 South 23rd Street
Philadelphia, PA 19103

Koehnline Conservation Studio

Lyn Koehnline
620 Southwest 21st Street
Richmond, IN 47374

The evocative nature of photography is its ability to capture a figure, a moment, an emotion, and then to allow us to linger upon it.

BACKGROUND KNOWLEDGE
There are many different processes that have been used throughout the history of photography. Three of the earliest, but not the only, are the daguerreotype, the tintype, and the ambrotype. To maintain their quality, each method requires a unique conservation technique. Even maintaining a collection of modern, color photographs takes care and attention. The one universal, though, is the perfect conditions for storage: dark, cool and dry.

CARE, CLEANING, HANDLING and STORAGE

  • Do not touch photographs with bare hands
  • Consult a conservator for appropriate light, temperature and humidity settings
  • Store photographs in safe individual compartments, like archival boxes, plastic sleeves, or acid-free paper
  • Due to the differences within the photographic process, contact a conservator to discuss the appropriate care for your collection
  • If framing photographs, use a glass that filters ultraviolet light, like UF-3 Plexiglas
  • If mounting, only use material that has passed PAT (Photographic Activity Test)
  • If photograph is damaged, always refer to a conservator. Never attempt to mend it
  • Keep documentation of all photographs. Only write on the back of photographs in #2 pencil