All Conservators, Appraisers and Art Related Professionals Can Help Save Storm Damaged Art & Artifacts

 from the safety and comfort of their own lab

 

In a benevolent gesture, Judith Tartt, conservator of paintings, PA, owner of the web site Art-Care and I, Susan Blakney have designed a volunteer program for conservators, appraisers and art-related professionals,  to offer preservation treatments to storm damaged art and artifacts, either completely donated, or possibly subsidized from a Preservation Fund by lottery.  The Internet with digital documentation is the primary vehicle to implement the program nation wide, combined with advertising post disaster regionally. 

 

This is possible because Judith has donated the use of her compatible web site, developed necessary new programming and dropped usage fees for this Volunteer Program.  The web site's complex programming has evolved over five years and is an established, necessary foundation to implement the volunteer program.

 

We need your involvement and contribution to be successful. Our plan is just the beginning. Yes of course it can be improved. There are many questions to be answered, details to fine tune, fund raising to manage, program to implement and monitor.

 

COLLEAGUES PLEASE JOIN IN THE DEVELOPMENT AND READ ON.

  

Art-Care

The web site Art-Care, a 5 year old, for profit professional referral service, is designed as one stop shopping for the art owner; providing access to recognized conservators, appraisers, private curators, transportation and insurance companies. Related educational essays, encourage the custodian to make informed decisions and actively gain specific preservation knowledge by interacting on line with professionals through direct e-mails. 

 

It's other mission is to market professional conservators, appraisers and other art related professionals,  in private practice with a searchable referral list, enhanced with illustrated, personalized on line brochures advertising services and specialties. This is a simple, affordable means to have an easily created, on line presence individually and as a group, to market personal talents and services. If you already have a web site it will provide a link. The same AIC referral rules apply. Participating conservators must be recognized, good standing AIC PAs or Fellows, sworn to abide by the Code of Ethics and Standards of Practice, providing preservation services to the public. Likewise, Appraisers must be accredited by their National Associations, the ASA, AAA, ISA.

 

However for this volunteer program, students and associates conservators may contribute if a recognized PA or Fellow agrees to mentor the treatment.

Non -accredited appraisers may also contribute if mentored by accredited appraisers.   This may encourage eligible conservators to become Professional Associates and appraisers to become accredited.

 

There is an existing posting board to ask conservators to answer questions about preservation.

 

There will be;

         an on line essay about basic digital documentation useful for an exam.     

         an on line illustrated glossary of conservation terms to describe what they think they are seeing.

        essays about safe packing and links to suppliers of archival supplies and packing materials like MasterPak.

        an on line virtual gallery of completed Katrina treatments, before and after images, to educate the public what the possibilities of treatment are. 

 

Conservation, Appraisal and Art Professionals -  Angel Treatments

Owners of Storm Damaged art & artifacts will register and be given a password for a private on line portfolio to up load with images of their damaged treasure.  A virtual examination room displays the item to invited Angel conservators to begin consultations privately on line, or by phone. It hopefully will end with a treatment.

     

Subsidized treatments are necessary due to the volume of damaged works. Even with a few totally donated treatments we barely scratch the surface. The reality is we are few and many conservators would like to help but can't leave their business, or even donate more than a treatment or two, thus the idea of a preservation fund to partially subsidize the work.     

    

AIC

We presented this in draft to the CIPP and formally to AIC board. They reviewed it but passed for reasons found in their reply posted below, although they noted it as worthy. 

 

Detailed On Line Proposal History

Here are on line documents in full for review. 

http://www.art-care.com/members/aic/final_proposal.doc, 

 

http://www.art-care.com/members/aic/flowchart.doc 

     

 

HELP

I will briefly present this to the Painting Specialty Group and hopefully at the CIPP dinner, during the AIC annual Convention June l6 – 19,  to see what support we get from you our colleagues.  We have a radio station out of New Orleans willing to advertise it. Judith is looking into creating a not for profit arm of Art-Care to implement this program and raise funds for the subsidized treatments.  We want and need help improving the concept, managing it and fund raising. It also doesn't have to be exclusively for private collections if museums are equally needy.  You don't have to be a subscribing member of Art-Care either.   Please talk this up and give us your ideas and support.  E mail me

 

If this program evolves and fundraising is successful it should be accompanied by field hospitals, near, or in the devastated regions to disseminate preservation information, perform initial digital documentation and emergency measures, necessary for storage or transportation, etc.  This is a separate proposal not included at this time.

    

Sincerely,

Susan Blakney, Chief Conservator

FAIC, FIIC

West Lake Conservators

sueblakney@aol.com

 

Judith Tartt, PA AIC Paintings Conservator

Washington, D.C.

Judith@art-Care.com